There are jewelers, and then there is Glenn Spiro, a master whose work exists at the intersection of Old-World craftsmanship and boundary-pushing modernity. From his historic London atelier on Bruton Street, once home to couturier Sir Norman Hartnell, Spiro has spent decades redefining what high jewelry can be: sculptural yet wearable, precious yet playful, rooted in tradition yet fearlessly contemporary.
This season, Spiro returns to Palm Beach with his son Joe Spiro, for a private presentation offering collectors a rare opportunity to experience his singular vision up close. The focus is on the jewels, pieces that merge technique with imagination and intimacy with grandeur.
Among the standout pieces: cognac diamonds set into polished ebony wood, emeralds suspended within carved amber, and Celestial Agate earrings that evoke distant planets.
An Exquisite necklace featuring a bold 16.22-carat ‘Old mine’ cushion diamond set in 22k yellow gold
Glenn Spiro’s work has long been defined by contrast: pairing the rare with the radical, the refined with the raw. In his ongoing collection, Materials of the Old World, historical materials inform contemporary form. As Glenn often reflects: “A beautiful gemstone is the beginning, not the end.” Each piece is conceived as a gesture across time, the stone guiding the design. What results are jewels that feel alive, deeply personal, and timeless.
Stacked from 9 images. Method=B (R=8,S=4)
But it’s Joe’s sensibility —his curiosity, patience, and reverence for material history— that brings a new dimension to the house. He explains that what drives them is “things that oppose each other.” Add to that his fascination with ancient gold fragments, from 18th-century Baoulé pieces to rare stones that have travelled centuries, and you begin to understand how these jewels transcend décor, becoming stories to wear.
More than a jeweler, Spiro is a storyteller. His pieces hold echoes of global travel, ancient materials, and a mischievous sense of beauty. They are, above all, expressions of curiosity.
For collectors who see jewelry as a form of storytelling that holds memory, material history, and imagination, Glenn offers a rare proposition. His pieces feel timeless yet unconventional, rooted yet restless. For Palm Beach collectors, this visit is not simply a presentation; it is an immersion into a world shaped by one of contemporary jewelry’s most distinctive creative minds.