Widely regarded as the world’s premier fair for modern art, antiquities, high jewelry, furniture and design, this year The European Fine Art Fair—aka TEFAF—takes New York with a more contemporary run at the Park Avenue Armory through May 16. With its elegant reputation, rigorous authentication process, and endless flow of oysters and champagne, this art fair weekend is known to be a grand affair for most visitors. Below is a comprehensive guide on what to expect from the booths.


When to Arrive and What to Wear

When it comes to preview days, typically, the more serious collectors and dealers arrive earlier in the afternoon to avoid the crowds and get a first look at what’s available. The style is uptown conservative: a simple dress, pantsuit or jeans, comfortable shoes, hints of Hermès, and impressive watches. Whereas by early evening, stylish guests arrive for a more glamorous social affair, dressed in bold ensembles and accessories such as head-to-toe Valentino or Ferragamo, ready for champagne and photographs. While most of the artworks have been placed on reserve or already sold, it helps to arrive precisely at noon on the first day to get a head start before it gets too crowded.


Diamonds, Antiquities, and Treasures

One of the many highlights of this dazzling fair are the high jewelry, antiques, and other collectible treasures. Though this year was highly focused on contemporary art, there were still hidden gems found in a few places, including Chinese porcelain, Greek and Roman relics, and Native American masks. High jewelers, such as Hemmerle, is one of the first booths to catch your eye. The jeweler dates back to 1895, where they were appointed “Purveyor to the Court” by Luitpold, Prince Regent of Bavaria. They become renowned for the ‘bejewelled fantasies’ they created for Ludwig III of Bavaria, the Bavarian government, and the great families of the German nobility.

"Blue and White Porcelain Plate," 2017, by Ai Wei Wei. Galleria Continua.
Hemmerle Jewels.
Marble head of a woman Roman, Hadrianic Period, c. 120-130 AD.
Finger masks at Donald Ellis Gallery, used predominantly by Inuit women.


Modern and Contemporary Artwork

While in previous years modern artists such as Alberto Giacometti, Jean Dubuffet, and Pablo Picasso have been predominantly showcased throughout the fair, this year TEFAF boasted dozens of contemporary works that broke the cycle, showcasing a global union of artists from Italy, France, Germany, Norway, Switzerland, and more. 

"Eichhörnchen (Squirrel)," 1969-70, by Meret Oppenheim. Credit: Artists Rights Society (ARS), N.Y./Pro Litteris, Zurich. Photo via Di Donna Galleries, N.Y.
Pablo Picasso
Alberto Giocometti
Egon Schiele
Carla Accardi at Mazzolini
Jean Dubuffet


Cristina Banban at Skarstedt.
Louise Bourgeois at Pace Gallery.
Artwork at the Gagosian booth.
Shirley Jaffe, 1965.
Magdalene Onundo at Offer Waterman.


Furniture and Design

Overflowing with furniture and design, the staged juxtapositions inside the Park Avenue Armory booths created a geometric immersive experience for the interior design junkies. Iconic pieces included a Claude Lalanne‘s “Grand Banc Crocodile” (2003) table sculpture at Galerie Mitterand, Edward Barber and Jay Osgerby’s lacquered aluminum and cast green bronze “Signal R Monochromatic” floor lamp at Galerie Kreo, and a conceptual installation art by Joseph Kosuth at Sean Kelly with the words: “I am the story which happens to me, R.B.”

Other noteworthy pieces included a red lips lamp by Nicola L from 1969, and a ruffle framed mauve mirror which would be the star of any contemporary living space.


Mountain Bar, 2009, by Jorge Pardo. Courtesy of the artist and Petzel Gallery.


Jorge Paro‘s geometric Mountain Bar was the center of attention at Petzel Gallery’s booth; a source of amusement and confusion for visitors who wondered why the drinks were not being passed through.

Kamel Mennour’s booth contained a unique project which explores “Un goût parisien” (“a Parisian taste”) conceived in collaboration with the French interior designer Jacques Grange, who recently reimagined one of New York’s most celebrated grand hotels The Mark. For the occasion, Grange brought the atmosphere of a fantasized Parisian salon to New York. The interior of the booth included decorative to contemporary art, with works including Alberto Giacometti, Baya, François Morellet, Lee Ufan, Daniel Buren, and François-Xavier Lalanne.


Oysters and Champagne

Last but not least, between the oyster shuckers downstairs and the champagne bar in the mezzanine, collectors are able to seek refuge from the overstimulation of art and idle banter. If you’re curious enough, a few overheard conversations can be discovered through quiet eavesdropping:


Man on the phone: “I will spend all of my fortune to make sure my son doesn’t become President!”


Man: “I have a girlfriend now.”

Friend: “What kind of heiress is she?”

Man: “She is nothing!”


Man: “And then he tried to sell me a $20 million dollar forgery and the auction spat in my face until I got my attorneys involved!”


Woman: “My god, people are so peculiar about Dubuffet here, aren’t they?”

Friend: *Responds in Italian*


Man on phone: *Speaking in German* “Preis ist a bissl hoch, Du kriegst aber kein besseren.”